Pim van Dorpel's return to work is uncertain after revelations about his past involvement in the white power movement.

Despite his transformation into a Christian and union leader, doubts about his trustworthiness linger.

Similarly, Uppsala City Theatre faces backlash for casting Richard Turpin, who privately supported Russia over Ukraine.

The controversy extends to academia, where Israeli scholars face boycotts, and a festival's invitation to Sweden's Prime Minister sparks withdrawals.

These events highlight the complex interplay of personal history, public perception, and freedom of expression.